Good Troublemakers

The Queen City, incorporated in 1788, is so named for a reason. Hovering just over the threshold of large cities, Cincinnati has a population of 309,513 people. So, despite a sense that Cincinnati is small potatoes (as much by natives as bigger big city folk) we are a big city. Not because of produce, but pork and steamboats. Or, perhaps more accurately because of the interior transportation connections afforded by the Ohio River that allowed moving materials, goods, and people.

The Mississippi is the mother of North American rivers at 3,730 kilometers in length and an average discharge rate of 593,000 cubic feet per second. However, while there are other rivers longer than the Ohio, their discharge pales in comparison to Ohio’s 281,500 cubic feet per second. And tying into the Mississippi, the Ohio River has a direct connection to the Gulf of Mexico, and the Atlantic Ocean. Before there was a car in every garage, and before transcontinental train travel, waterways were our super highway, and snail mail happened via horse and wagon.

This helps frame changes to the ten largest cities that had always been a rotating mix of the original thirteen colonizing cities. New Orleans (served by the Mississippi) was the first departure to that pattern in 1810, likely due to it being the center of the USA Slave Trade before the Civil War. Cincinnati was the first Midwestern city to break onto the list as the eighth largest city in 1830. Moving to sixth in 1840 and staying there in 1850. The Queen City shifted to seventh largest in 1860, eighth in 1870 and 1880, slipping to ninth in 1890, and tenth in 1900, before dropping forever off the list. The Midwestern cities of St Louis joined the list in 1850 and Chicago appears in 1860. Chicago would become the world’s fastest growing city in its first hundred years following its 1833 founding.

This growth was set into motion with Chicago’s first rail, the Galena & Chicago Union Railroad of 1848. Soon followed by tracks that tied Chicago to the existing Midwest rail infrastructure begun in Ohio with the 1936 Erie & Kalamazoo Rail Road which offered east/west transportation to compliment the north/south directions of most canals. The Cleveland Cincinnati Chicago & St Louis Railway was created in 1889 and quickly became known as the Big Four, acknowledging the importance of these urban hubs.

People scoff sometimes when Cincinnati’s 1880s city ranking is referenced. However, while ultimately overshadowed by Chicago, Cincinnati’s seventy year top ten running illuminates much of the infrastructure that we benefit from today, like our parks, schools, and arts institutions. It also may highlight why, after the ideas of Isaac Mayer Wise, immigrant from Bohemia, didn’t go down well in New York, he eventually found his way in 1854 to Cincinnati, the birthplace of the Reform Movement. This Midwestern Jewish hub is home to the first Hebrew Union College, founded in 1875, site of the American Jewish Archives (the largest Jewish archive outside of Israel), and boasts the Skirball Museum (the first formally established Jewish museum in the USA).

Like other big cities Cincinnati had a mix of cultural communities. German and Irish heritage, and the skirmishes between these groups, receives the focus of attention. However, by the 1850s, Cincinnati (at its highest sixth place largest city ranking) boasted 115,000 residents, including 3,200 African Americans, “making it one of the largest Black-American communities in the nation during the antebellum era.”

The challenges of living in a free state across the river from enslavement territory is highlighted in the case of Margaret Garner in 1854, “one of the longest fugitive slave trials in history” and navigating the Black Laws of 1804 and 1807 which required African Americans wishing to migrate into the state to hold a certificate asserting free status and acquire a $500 bond secured by two people “guaranteeing good behavior” among other provisions. These conditions led to the June 30, 1829 race riot that destroyed Bucktown where African Americans resided and exiled about half of the black population who sought asylum in Canada. Another race riot followed in 1841 spurred by a group of primarily Irish dock workers attacking a group of African Americans.

This is some of the historical landscape of the Cincinnati forged a century before the August 28, 1963 March on Washington for Jobs and Freedom dawned. The civil rights movement and this groundbreaking event inspired social change movements around the world. 497 Cincinnatians traveled on Tuesday August 27, 1963 by Chesapeake & Ohio Railway from Cincinnati Union Terminal to the District’s Union Station for $20 round trip.

The conditions were ripe in Cincinnati that, upon their return, local leaders organized an October 27, 1963 Freedom March to Fountain Square, inspired by Otis Moss who had in turn been moved by Martin Luther King Jr. It may be conceivable that no one exists who has not heard of the March on Washington. While I am a transplant to Cincinnati from Chicago, I never heard of the Cincinnati march or if organizing marches back home may have been an embedded strategy obscured by the magnitude of the DC event. The continued local momentum, replicated in a march, appears to be a Cincinnati idiosyncrasy.

Unique Cincinnati history abounds. I was at the New York Transit Museum when I learned of Granville T. Woods (born in Columbus Ohio and lived for a time in Cincinnati) who engineered technology a century ago that revolutionized the subway. It was in reading Stamped from the Beginning: The Definitive History of Racist Ideas in America by Ibram X. Kendi where I heard about Charlene Mitchell (born in Cincinnati), the first black woman to run for President of the United States of America in 1968 as a member of the Communist Party. The internet taught me that Alice King Chatham, a Dayton Ohio sculptor, helped create the earliest helmets for astronauts of the space program. Josiah Henson stayed in Cincinnati for just a few days, but while here influenced Harriet Beecher Stowe’s writing of Uncle Tom’s Cabin. Just two weeks ago, I learned that Michael W. Twitty lived in Cincinnati when he was young. Our city has claimed things with less intersections. Why are these things I did not know as a resident of such an old city? I look forward to hearing from people who attended both of the 1963 marches and learning more about this proud Cincinnati history.

Jews of Color Sanctuary is honored to partner among seventeen organizations to promote Good Troublemakers commemorating the 60 anniversary of the Cincinnati 1963 March for Freedom and Vote.

The event is free, open to the public, and does not require advance registration. Join us between 7-8:30pm on Thursday October 26, 2023 at Zion Baptist Church located at 630 Glenwood Avenue, Cincinnati, Ohio 45229.

That day, for a moment, it almost seemed that we stood on a height, and could see our inheritance; perhaps we could make the kingdom real; perhaps the beloved community would not forever remain the dream one dreamed in agony.” -James Baldwin

Walking into a new year

photo by Lauren Goldberg

JoC Sanctuary co-facilitated a niggun creation workshop, with ish and Birds of a Feather, in preparation to welcome Little Amal’s journey highlighting the realities of refugees. Cincinnati Mayor Aftab Purval greeted the Syrian girl and shared words of welcome, speaking also as the son of parents who a generation before had been an immigrant and a refugee.

photo by Cincinnati Chamber Orchestra

Jewish people of color are often forced to navigate the cultural threads of their interwoven composite identities in ways that help empathize and understand the circumstances that create refugees and seeking to reconnect with lost family. Sharing a border with Israel opposite Egypt, Syria is close enough to mingle with Jewish narratives in Israel, and beyond.

While Little Amal remains on the move searching for parents after being separated through war, Cincinnati Jews and allies can support refugees in our community through Refugee Connect, a nonprofit that coordinates the efforts of partner organizations and volunteers. This network serves the more than 25,000 displaced people resettled in our region.

These events framed entering into Rosh Hashanah and Yom Kippur. Our personal and collective prayers for redemption are entering into conversation under the stars over our sukkot. May our ushpizin help us connect with where we have been as we discern the path toward collective liberation. We have an opportunity to invite more than Jewish men, and think beyond Jewish women elevated in Torah to include

We have an opportunity to think beyond the Jewish men elevated in Torah, and the women added later, to invite other characters who can help us weave our requests for forgiveness into redemptive action. Bilhah and Zilpah, our inconsistently acknowledged Jewish matriarchs have a lot to say through their voiceless lines of Torah. Sukkot is a sweet time to listen.

DISMANTLING RACISM FROM THE INSIDE OUT

I have long been a fan of mussar as a Jewish spiritual practice that can help us strive to be better versions of ourselves through concentrated reflection and practice. Like in the ways we practice math, life, or Judaism. We like to say practice makes perfect, but it really makes better.

That first mussar group for me was in Cincinnati at Lloyd House organized by a beloved ally. I loved it AND there were also moments when it was clear that my experiences as the lone black participant were just too far removed for the rest of the group to really be able to hear. Fast forward several years to Israel where my studies led me to a deeper connection to Chasidut, not as something that others did, but aspects of my own practice which had always been there. Skip ahead a year to my first mussar group in an all-black Jewish setting… life changing!

That mussar group was facilitated for the Black Jewish Liberation Collective by Dismantling Racism from the Inside Out (IOWA), a project of Inside Out Wisdom & Action (DRIO). While a personal practice, mussar benefits from group support elements that fulfill a witness and accountability partnership role which feels important to me. This was the element that had been missing in my first mussar experience. Falling in love with mussar through my first experience despite lacking community support testifies to the power of this practice. Finding community made mussar even more magical.

It is with this deep personal knowing that I am proud to announce that Jews of Color Sanctuary is partnering with Edot and Kol Or (the Jews of Color (JoC) Caucus of Jewish Council on Urban Affairs (JCUA)) in offering an affinity space DRIO Midwest PoC Cohort that will start November 7, 2023. This course is intended to build on an existing antiracism foundation–this is not an antiracism 101 course. This will be a unique and important opportunity to build relationships and infrastructure among Midwest Jewish people of color communities which often doesn’t happen with the value bias that keeps focus and resources in coastal Jewish communities.

As our thoughts and preparation shift toward 5784 acknowledgement of collective sins and our community need to address wrongs and work towards building the world of tomorrow today, I invite you to join us. There is no better way to bridge the concepts of betzelem Elohim, tikkun olam, and not standing idly by than honing the ancient Jewish wisdom of mussar in service of our anti-racist work. The words of a past participant speaks to the power of this program better than anything else.

Allies too can support this project in a variety of ways. JoC friends and family always need your kindness and loving support especially while one is actively engaged in dismantling internal racialized systems of oppression. Ask how the va’ad is going, plan regular check-ins, share your own anti-racist journey reflections. And, if you have the ability, you can contribute financially to the materials and facilitator fees, through the cohort registration portal, which will make the accessible sliding scale of this va’ad possible.

Joyful L’Shana Tova!^)

Festival of Faiths

ZakDraznin-ElechCoFounder MarieKrulewitch-Browne-ishExecutiveArtisticDirector EthanHughes-ishVolunteer EricaRiddick JoCSanctuaryDoundingDirector PhotoHUC

This past Sunday August 27, Joc Sanctuary joined the ish table with fellx grantee Elech at Festival of Faiths, “celebrating our community’s religious diversity”. It was refreshing to be in this interfaith space, put on by EquaSion, focusing on equality, spirituality, and inclusion, and see more than the diversity of Christianity. While busy spreading the word about JoC Sanctuary, I was able to walk around a little, including visiting a Bahai table and also a few Sikh tables, one of which wrapped me in a turban.

EricaRiddick-JoCSanctuaryFoundingDirector Photo-LaurenGoldberg-ishDirectorCommunications&Brand

This was a sweet kind of homecoming where I ran into many people I already know from different backgrounds and faiths and connected with those who I hope become new friends.

jewish end-of-life practices & rituals

I’m excited to share a ground-breaking research project to learn how Jewish people of color (JoC) engage with Jewish end-of-life rituals and practices. Ultimately, this information will inform the creation of resources most needed and desired to support Jews through this time.

Learn more and complete the survey at: https://www.surveymonkey.com/r/eol-joc

I invite you to share the survey with your networks using sample language and social media formatted images in our Media Kit to help facilitate sharing.

Thank you for supporting and reflecting the diversity of the #JewishCommunity.

TRACES OF HISTORY

cover & inside cover of self-portrait book

Last week for me began in Atlanta at a Full Disclosure Facilitator training led by Barbara Rosenblit and Sheila Miller who were sharing their process of artistic storytelling as a way to create connection, honor community, and preserve history. This collaborative experience with Jewish Women’s Archive’s Story Aperture application was rich and engaging. The three-day training gave me the gift of a full day of creative process which is precious, even for someone who is constantly involved in creative work. I was excited to meet two Jewish Women’s Archive colleagues, CEO Judith Rosenbaum and Program Director Betsy More, for the first time in-person! And, this was also a rare moment at an event not specifically designated for Jewish people of color where, among ten amazing participants, I had the pleasure of spending time with Victoria Raggs of Atlanta Jews of Color Council and Shula Mola, a Beit Israel scholar preserving the histories of Ethiopian Jews in Israel from the historic Jewish village of Enkash.

Victoria Raggs, Erica Riddick, Shula Mola (l-r)

The word pentimento, which Merriam-Webster online dictionary defines as “a reappearance in a painting of an original drawn or painted element which was eventually painted over by the artist” was introduced through the title of the presenters’ book, Pentimento-Revealing Women’s Stories. The concept of pentimento makes me think of how Jewish people of color have been obscured from a narrative that continues to be white-washed so pervasively it has colored the imaginations of people of color. I appreciate having another tool in my toolbox to support the endeavor of revealing stories that have always been there.

I was intrigued when I first received the list of materials to bring with me to the training… five self-portraits of me with encouragement for playful experiment (perhaps my two favorite words in succession), words that speak to a personal philosophy, three-dimensional items to embellish the piece, and an object to introduce myself. Many women continued their introductions into their self-portrait piece which was a wood box in the shape of a book with a hinged lid.  My project followed suit in a way. I had introduced myself through my love of libraries, noting a particular fondness for dictionaries. The photograph I selected for the lid was me holding my favorite dictionary, a gorgeous pale blue bound embossed Webster’s New World Dictionary of the American Language circa 1950s. In a moment of symbiotic presence, Sheila brought along a 1938 dictionary for participants to use to add meaning. My cover materialized with an energy of its own… My book box was embellished with beloved quotes from Octavia Butler, Audre Lorde, Michael W. Twitty, and more; small rocks; and butterflies.  The interior of the box includes a cartographical history, linking my love of books and maps through a geographically imprint.

One of the best parts of the experience was, after sharing and listening to other participants as they constructed their projects, we witnessed the completed (or in-process) work and what the artist chose to share about the piece with those assembled. I am a performer who understands the importance of having an audience to receive you.  As part of the current Jewish Studio Project, Creative Facilitating Training cohort, I am understanding deeper nuances of how generative being a witness to someone’s creative practice can be. I am giddy at the interplay between the artistic spaces I inhabit and the role creativity plays in everything I do, and all that I am.

My self-portrait book remains untitled and still needs an artist statement, but I am excited to share and facilitate this practice. Upcoming events will offer ripe opportunities to share this tool with artists, historians, and storytellers of all ages. This year the theme of the Jews of Color Mishpacha Project, JoCISM Shabbaton over June 16-18 is “We Are Family”, which will be immediately followed by a LGBTQI Juneteenth celebration of “Collecting Our Stories”, and immediately preceded by the launch of the Black Jewish Liberation Collective, Dismantling Racism From the Inside Out, a joint organizer mussar va’ad. Jews of Color Sanctuary is collaborating with Edot and Kol Or, the Jews of Color Caucus of the Jewish Council on Urban Affairs, in the development of a Midwest mussar va’ad–one of many ways to bring national initiatives home to Cincinnati after transporting a taste of the Midwest to the world.

SPARKLY TORAH

I am in the beginning moments of reflecting back on what I want to take with me into Shabbat and what I wish to leave behind as I close my week.  I smile as I recall how my week started with JoC Sanctuary Ritual Studio.  A program called Mezuzah Bedazzle.  Creation is a beautiful and powerful thing.  Perhaps that is why we start there in our annual reading of Torah.  The act of making can also calm us as it gives us something to do with our hands, and perhaps a way to make sense inside our minds.  Somewhere along our journey into adulthood, many give up the simple joy of making for making’s sake.  Witnessing this tendency interrupted is a precious moment during a session of Mezuzah Bedazzle­–seeing adults allowing themselves to play.  When children attend, they take to the task easily.  Adults often need more time, but always arrive.  And, in the midst of joyful gathering and separating and imagining creation making with intention we studied about mezuzot, and had conversations with each other–learning, listening, laughing…  This is what I’m bringing in to spark Shabbat!

In the way that we are made in the image of God, and perhaps God also holds parts of us, may we reflect aspects of our children as we mold them into adults.  In a world filled with too much sorrow may we give ourselves the gift of choosing simple joys all around us, even if we have to mimic our children until we find our way.  May we choose to embrace ritual in ways that are meaningful for our lives and relish opportunities to listen and learn from the wisdom of every person, seeing God reflected in each face.  May our spiritual sparkle bedazzle our world.

SEVEN STEPS

Image from https://www.instagram.com/p/ConCRbKL8xf/

Last Sunday I had the honor of facilitating the opening of the Rising Tide Open Waters Mikveh Network, Seven Steps Mikveh Guide Training. Thirty-one Jewish people of color across four countries and in fourteen USA states registered for this eight-week experience funded by Jews of Color Initiative. Some participants are already guides and others live outside the thirty-six international Rising Tide Network mikveh locations or that the mikvaot that do exist where they are feel inaccessible. Across the diversity of spiritual practice, yearning for accessible, holistic, and celebratory Jewish learning was clear.

The universal human relationship with water is revered in many cultures for connection, purification, cleansing, transition & wisdom. During ritual immersions, physical barriers are removed between our body and the water. This series is a moment for attendees to remove mental or spiritual barriers from past experiences and deepen their relationship with Judaism and this ancient tradition. The communities where guides live can continue to support removing barriers as you welcome and celebrate these “mikveh guides as wisdom-holders and educators” attracted to this learning because they are already vibrant participants in their Jewish communities.

Program design development and implementation planning was a big job. For this community that means the world to me, it was important to create a space where every individual could bring the full-fabulousness of their beautiful selves completely into the space and learn from the course, each other, and themselves. It was worth it to read feedback confirming that 100% of participants felt a sense of belonging, 100% would recommend the program to a friend, and 92% learned something new. What I didn’t expect was how much this work for others would also feed my soul. I had the opportunity to create an opening ritual and prayer which feels bigger than the specific moment it was created for. May its words nourish our souls in ritual moments we need to hold us…

May we remember that the waters of Gan Eden still flow through our bodies and the earth,

the four rivers of Pishon, Gihon, Hidekel, and Perat.

May we allow those ancient waters to connect us to our ancestors and our first home,

lands of gold and precious resource, lands of Ethiopia, lands of Assyria.

May we use our knowledge to protect the source and follow the water to life,

with gratitude for the waters that hold us and the heavens that give us breath.

-erica riddick

Ritual Studio

Join Jews of Color Sanctuary on 1st Sundays in 2023 for an interactive Ritual Studio experience centering Jewish people of color, skills for creating Jewish ritual, and a sprinkling of art and Torah.

Jewish people of color can register for this affinity space for all levels of art and text study experience.  Half the sessions are virtual to allow cross-pollination community for Jewish people of color around the world.  Greater Cincinnati Jewish people of color are welcome to register for all four sessions.  Participants who attend both in-person or both virtual sessions and participate in the studio by sharing images of their work are eligible for artist stipends of between $15-30.

Regitration link: https://docs.google.com/forms/d/1Ql2y3Yam8ZhVdUiUv3gX_4fv3YLvX9EhZT1cyzhWZOM/edit

Contact erica at danserica@gmail.com with RITUAL STUDIO as the Subject for more information.

This event is supported generously throughts ArtsWave.

joyful shabbat

From left, participants in the JOC Mishpacha “We Are Family” JOCSM Shabbaton: Maetal Gerson, Avodah Jewish Service Corps Chicago, and Kol Or of JCUA; Denise Dautoff, Jewtina y Co.; Riki Robinson, Jews of Color Initiative; Ari Monts (kneeling); Mackenzie Martinez, Avodah Jewish Service Corps, San Diego; Sabrina Sojourner, co-founding director, KHAZBAR; Erica Riddick, Jews of Color Sanctuary; Deitra Reiser, founder, Transform for Equity; Kiyomi Kowalski, co-founder, Jewbian Princess; and Ramona Tenorio, Tiyuv Initiative.

I feel blessed to be connected with a national network of Jews of color (JoC) and lucky to have experienced JoC majority spaces, even if sparsely. It is joyful to feel community in a way that you know deep in your bones includes you. The JoC Mishpacha Project JoCISM Shabbaton was definitely that kind of event. It was an opportunity to deepen existing relationships and create new ones. I was struck by the harmonies we made together, both in song and the ways we blended needs and customs. It was also a beautiful expression of the crucial role allies play, as family, as friends, as organizations, as symbiotic supporters of this work to create affinity spaces that strengthen so much more than just the Jewish people of color present, but returns with them into their home communities… whether that is across the country or down the street. The weekend reminded me of the importance of the work of JoC Sanctuary and the ability to intentionally create the spaces we need for ourselves.